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Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
Sony FX30 Digital Cinema Camera (Body Only)
  • SKU: ILME-FX30B
  • Availability: In stock Available in stock Out of stock New Item - Coming Soon

Sony FX30 Digital Cinema Camera (Body Only)

Rs. 170,990.00 Rs. 179,990.00
Inclusive of all taxes.

The Sony FX30 gives everyday content creators and aspiring filmmakers a powerful, yet affordable cinema camera with which to elevate their cinematic journey to new heights by leveraging the power of a recently developed APS-C sensor. It combines a feature-rich feature set with an imaging pipeline created for cinematic capture to produce a complete system for all levels of filmmaking.

Cinematic Expression


26MP APS-C/Super35 Exmor R BSI CMOS Sensor

The FX30 has an advanced imaging system that is comparable to other Sony Cinema Line models and can capture finely detailed 10-bit UHD 4K imagery at up to 120 frames per second, making it a true cinema camera. With the Super35 (16:9) aspect ratio, the 26MP APS-C Exmor R CMOS sensor and BIONZ XR processor can produce 4K images of the highest quality. The Dual Base ISO architecture helps this system capture 14+ stops of dynamic range and enhance low-light performance.

  • High-sensitivity recording up to ISO 32000 and Dual Base ISO (800/2500).
  • When using S-Log3, the FX30 can capture 14+ stops of dynamic range.
  • Record in 10-bit 4:2:2 using advanced XAVC HS and XAVC S-I formats.
  • Full pixel readout from the 6K sensor creates high-quality UHD 4K video at up to 60 fps.
  • High-speed shooting is possible in 4K at up to 120 fps with a 1.6x crop and in Full HD at up to 240 fps.
  • The HDMI output supports 16-bit raw video to select, separately available recorders.

Professional Picture Control


Thanks to a wide range of picture control options, filmmakers can either choose to capture images that are immediately ready to publish for projects with short turnaround times or opt for maximum quality and flexibility in postproduction:

  • S-Cinetone uses the same color science as Sony's advanced cinema cameras, including the VENICE line, with natural mid-tones, soft colors, and smooth highlight roll-off.
  • Picture Profiles, such as S-Log3 and HLG, will capture images with expanded dynamic range and flexibility for editors.
  • Creative Looks can be baked into the recorded footage to create a specific mood during recording and minimize the need for editing.
  • Up to 16 user-created LUTs and three presets can be set for accurately monitoring footage or previewing a specific look during shooting. These can be applied to the camera's monitor or EVF as well as the HDMI output.

Operation for All Levels


Professional features will make sure that everyone can benefit from the FX30, from beginners to experts. Three log shooting modes are included here:

  • Flexible ISO uses standard ISO settings for simple operation and the greatest flexibility.
  • Cine EI ensures maximum dynamic range capture by recording at a manually selected base ISO setting and applying adjustments to metadata for monitoring and post-production.
  • Cine EI quick will automatically switch between the two base ISO settings for easier operation and great quality.

Intuitive Operation and Controls: Fast Hybrid AF


Using an advanced Fast Hybrid AF system that uses 495 points distributed across 90% of the image sensor, you can take advantage of fast and highly accurate autofocus performance in every mode, including 4K up to 120 fps.

  • Real-time Eye AF and Real-time Tracking will track the eyes of humans and animals.
  • AF Assist function will automatically switch to manual focus with a turn of the lens' focus ring.
  • Focus Map makes it easier to visualize the region of focus in your scene

5-Axis In-Body Image Stabilization


A 5-axis in-body image stabilisation system that Sony installed on the FX30 will help produce smooth imagery even when used handheld. There is an Active Mode that combines optical systems with digital enhancements to record video that is incredibly smooth. When the optical stabilisers are off, the FX30 can also record gyro movement, which can be used in post-production to produce a stable shot.

Comprehensive Feature Set


Plenty of Sony's cinema features have found their way into the FX30:

  • Breathing compensation works with select lenses in 4K up to 60p in camera or up to 120p using Catalyst software after recording.
  • Timecode sync input with optional VMC-BNCM1 Timecode Adapter Cable
  • Tally lights for an easy indication that the camera is recording.

Catalyst Browse and Prepare Integration


The FX30 records a comprehensive array of metadata that can be read and used for advanced post-production work using Sony's Catalyst Browse and Prepare software.

Metadata recorded includes:

  • Embedded LUT and Exposure Index (EI) data.
  • Gyro and lens stabilization metadata to further reduce camera shake.
  • Breathing compensation can be manually controlled and adjusted.
  • Camera rotation metadata will ensure the footage is displayed as intended.
  • Shot marks can be added to clips during or after recording for reference

Ergonomic Form for Solo Operation


The FX30 (which has a similar design to the FX3) is small and light and allows users to shoot without a cage. A 5-axis in-body image stabilisation system allows users to enjoy smooth handheld footage.

The body features multiple threaded mounting points that are ideal for accessories and a Multi Interface Shoe that supports advanced accessories. Additionally, an integrated fan ensures reliable performance during extended takes.

  • Lightweight body weighs just 1.2 lb.
  • Dedicated zoom rocker.
  • Fully customizable button layout.
  • Five 1/4"-20 threaded mounting points for accessories.
  • Multi Interface Shoe supports advanced accessories.
  • Active cooling fan permits uninterrupted shooting during extended takes.
  • Sporting a matching design to the FX3, the FX30 can use many of the same accessories, such as cages, without any modifications required.

A Plethora of Connectivity Options


 The FX30 is equipped with a wide array of connections to ensure maximum customization and flexibility on set:

  • Full-size HDMI output features clean output up to 4K 60p as well as 16-bit raw video.
  • Audio is supported on the body with a 3.5mm headphone output and a 3.5mm microphone input.
  • USB-C connection can be used for high-speed data transfer or for powering the camera.
  • Multi-Terminal (Micro-USB) supports various accessories, such as remotes, for expanded functionality.
  • Timecode sync is available through the use of the separately available VMC-BNCM1 Timecode Adapter Cable.
  • Multi Interface Shoe supports advanced accessories, including the optional XLR Handle Unit.

Media Options


The FX30 uses an advanced, flexible set of media slots to capture high-bitrate footage at high frame rates. Users can choose between various media types for various situations thanks to the camera's dual CFexpress Type A/SD card slots. The most sophisticated recording features of the FX30 can be used with CFexpress Type A's ultra-fast speeds, while SD cards are frequently used and still have great speed and large capacities.

Updated Menu System


The FX30 benefits from a tweaked control menu that makes it more intuitive to operate:

  • The main menu provides a quick view of all your most important video settings, including Picture Profile, recording format, white balance, aperture, ISO, and more.
  • The shooting screen relocates the information on settings and status icons to the edges of the screen so that the image remains clear.

Recording (video)

Recording Format (Video)
[XAVC S-I 4K]: XAVC S-I 4K 59.94p, 600 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 50p, 500 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 29.97p, 300 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 25p, 250 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I 4K 23.98p, 240 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264

[XAVC S-I HD]: XAVC S-I HD 59.94p, 222 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
Recording Format (Video)
XAVC S-I HD 50p, 185 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 29.97p, 111 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 25p, 93 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S-I HD 23.98p, 89 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264

[XAVC S 4K]: XAVC S 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 59.94p/50p, 150 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
Recording Format (Video)
XAVC S 4K 29.97p/25p, 140 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 23.98p, 100 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S 4K 29.97p/25p/23.98p, 60 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S 4K 119.88p/100p, 200 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
Recording Format (Video)
[XAVC S HD]: XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:2 10 bit, MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p/29.97p/25p/23.98p, 50 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 59.94p/50p, 25 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC HD 29.97p/25p, 16 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p, 100 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
XAVC S HD 119.88p/100p, 60 Mbps 4:2:0 8 bit, MPEG-4 AVC / H.264
Recording Format (Video)
[XAVC HS 4K]: XAVC HS 4K 59.94p/50p, 200 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 150 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p/23.98p, 100 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 75 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 59.94p/50p, 45 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 100 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
Recording Format (Video)
XAVC HS 4K 23.98p, 50Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 50 Mbps 4:2:0 10bit, MPEG-H HEVC / H.265
XAVC HS 4K 23.98p, 30 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p, 280 Mbps 4:2:2 10 bit, MPEG-H HEVC / H.265
XAVC HS 4K 119.88p/100p, 200 Mbps 4:2:0 10 bit, MPEG-H HEVC / H.265
Recording Format (Audio)
LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)
Recording Frame Rate
[XAVC S-I 4K]: 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S-I HD]: 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S 4K]: 3840x2160/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC S HD]: 1920x1080/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p
[XAVC HS 4K]: 3840x2160/119.88p,100p,59.94p, 50p, 23.98p
Recording/Playback Time
[XAVC S-I 4K]:
XAVC S-I 4K 59.94p:
When using CEA-G160T (160 GB): Approx. 25 minutes
When using CEA-G80T (80 GB): Approx. 10 minutes

XAVC S-I 4K 50p:
When using CEA-G160T (160 GB): Approx. 35 minutes
When using CEA-G80T (80 GB): Approx. 15 minutes

[XAVC S-I HD]:
XAVC S-I HD 59.94p:
When using CEA-G160T (160 GB): Approx. 75 minutes
When using CEA-G80T (80 GB): Approx. 35 minutes
Recording/Playback Time
XAVC S-I HD 50p:
When using CEA-G160T (160 GB): Approx. 90 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes

[XAVC S 4K]:
XAVC S 4K 59.94p/50p 200M:
When using CEA-G160T (160 GB): Approx. 80 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes

XAVC S 4K 59.94p/50p 150M:
When using CEA-G160T (160 GB): Approx. 100 minutes
When using CEA-G80T (80 GB): Approx. 50 minutes
Recording/Playback Time
[XAVC S HD]:
XAVC S HD 59.94p/50p 50M:
When using CEA-G160T (160 GB): Approx. 270 minutes
When using CEA-G80T (80 GB): Approx. 130 minutes

XAVC S HD 59.94p/50p 25M:
When using CEA-G160T (160 GB): Approx. 430 minutes
When using CEA-G80T (80 GB): Approx. 210 minutes

[XAVC HS 4K]:
XAVC HS 4K 59.94p/50p 200M:
When using CEA-G160T (160 GB): Approx. 80 minutes
When using CEA-G80T (80 GB): Approx. 40 minutes
Recording/Playback Time
XAVC HS 4K 59.94p/50p 150M:
When using CEA-G160T (160 GB): Approx. 100 minutes
When using CEA-G80T (80 GB): Approx. 50 minutes

XAVC HS 4K 59.94p/50p 100M:
When using CEA-G160T (160 GB): Approx. 150 minutes
When using CEA-G80T (80 GB): Approx. 75 minutes

XAVC HS 4K 59.94p/50p 75M:
When using CEA-G160T (160 GB): Approx. 190 minutes
When using CEA-G80T (80 GB): Approx. 95 minutes
Recording/Playback Time
XAVC HS 4K 59.94p/50p 45M:
When using CEA-G160T (160 GB): Approx. 290 minutes
When using CEA-G80T (80 GB): Approx. 140 minutes
Recording Format (Proxy Audio)
XAVC Proxy: AAC-LC, 128 kbps, 2 ch
Recording Format (Proxy Video)
[XAVC HS HD]:
MPEG-H HEVC/H.265: 1920x1080 4:2:0 10 bit 16 Mbps, 1920x1080 4:2:0 10 bit 9 Mbps

[XAVC S HD]:
MPEG-4 AVC/H.264: 1280x720 4:2:0 8 bit 6 Mbps
RAW Output
HDMI:4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit

Other video function

Video functions
Audio Level Display
Audio Rec Level
TC/UB
Creative Look
Gamma Display Assist
PAL/NTSC Selector

Recording (Still)

Recording format
JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
Image size (pixels) [3:2]
L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)
Image size (pixels) [4:3]
L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)
Image size (pixels) [16:9]
L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)
Image size (pixels) [1:1]
L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)

Camera Section

Imaging Device (Type)
APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor
Number of pixels (effective)
Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels
Number of pixels (total)
Approx. 27.0 megapixels
ISO Sensitivity
[Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)
Shutter Speed
[Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode), [Still image] 1/8000 to 30 sec
Slow and Quick Motion Function
[XAVC S-I 4K / XAVC S 4K / XAVC HS 4K]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, PAL mode:1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps
[XAVC S-I HD / XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps
White Balance
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma Curve
Off / PP1-PP6 / PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude
14+ stop (S-Log3)

Focus System

Type
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus point
[Movie] 495 points (phase-detection AF), [Still image] 759 points (phase-detection AF)
Sensitivity range
EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus mode
[Movie] AF-C (Continuous AF), Manual Focus [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
Focus area
[Movie] Wide / Zone / Center Fix / Spot / Expand Spot [Still image] Wide / Zone / Center Fix / Spot / Expand Spot / Tracking
Other focus features
Eye AF ([Movie] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird), ([Still images] Human (Right/Left Eye Select) / Animal (Right/Left Eye Select) / Bird)
[Movie] AF Transition Speed
[Movie] AF Subj. Shift Sensitivity
[Still] AF Tracking Sensitivity
Face detection (Face/Eye Prior. in AF)
Face Priority in Multi Metering
Regist. Faces Priority
Focus Magnifier (APS-C: 6.1x / 12.1x)

Exposure Control

Metering sensitivity
EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)
Exposure Modes
[Movie] Programmed AE (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M) / Flexible Exp. Mode
[Sill images] Intelligent Auto (Auto) / Program Auto (P) / Aperture priority (A) / Shutter priority (S) / Manual Exposure (M)

Playback

Playback functions
Index view
Folder selection (Date / Still / Movie)
Photo capture
4ch audio monitoring
Auto Review (stills)
Image orientation (stills)
Protect (stills)
Rating (stills)
Display as Group (stills)

Interface

USB Terminal
USB Type-C (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Headphone Output
3.5 mm Stereo minijack
Speaker Output
Built-in, monaural
HDMI Output
HDMI connector (Type-A)
YCbCr 4:2:2 10 bit / RGB 8 bit
TC Input/TC Output
Multi/Micro USB, TC IN
Multi Interface Shoe
With Digital Audio Interface

Monitoring

LCD
7.5 cm (3.0-type), Approx. 2.36M dots, touch panel
Opening Angle:Approx. 176 Degree , Rotation Angle:Approx. 270 Degree

Built-in Microphone

Built-in Microphone
Built-in, stereo

Media

Type
CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

File System

File System
FAT12, 16, 32, exFAT

Zoom

Zoom Function
Zoom ring rotate
Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x )
Digital zoom ([Movie] Approx. 4x [Still image] L: Approx. 4x, M: Approx.. 5.7x, S: Approx. 8x), Smart zoom ([Still image] M: Approx. 1.4x, S: Approx. 2x)

Still image function

Shutter
Electronic shutter
Drive modes
Single Shooting, Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
Noise reduction
High ISO NR: Normal / Low / Off
Other still image function
Electronic Front Shutter Curtain
Silent Shooting
Anti-flicker Set

Image Stabilization

Type
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
Mode
[Movie] Active / Standard / Off, [Still image] On / Off
Compensation Effect (still images)
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)

Custom Function

Custom Function
Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Lens Compensation

Lens Compensation
Peripheral Shading, Chromatic Aberration, Distortion

Wi-Fi/NFC

Supported Format
IEEE 802.11a/b/g/n/ac
Frequency Band
2.4 GHz band/5 GHz band
Security
WEP/WPA-PSK/WPA2-PSK

Bluetooth

Bluetooth
Bluetooth Standard Ver. 5.0 (2.4 GHz band)

FTP Transfer

FTP Transfer
Wired LAN (USB-LAN), USB Tethering, Wi-Fi

General

Camera Type
Interchangeable lens digital camera
Lens Mount
E-mount

Operation

Operating Temperature
32 to 104 degrees F (0 to 40 degrees C)
Storage Temperature
-4 to +131 degrees F (-20 to +55 degrees C)

Power

Power Consumption
[Movie] Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)
[Still image] Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)
Battery Operating Time
Approx. 115 min (Actual recording, CIPA standard)
Approx. 175 min(Continuous recording, CIPA standard)
Approx. 570 shots (Still image, CIPA standard)
Battery Info
Required, included
Battery Material
Lithium ion
Battery Type
Non-universal
Battery Quantity
1

Physical

Dimensions (W x H x D)
5 1/8 x 3 1/8 x 3 3/8" (129.7 x 77.8 x 84.5mm) (body without protrusions)
Weight
22.7 oz (646g) (with battery and memory card included)
19.8 oz (562g) (body only)
  • 26.1MP APS-C BSI CMOS Sensor
  • UHD 4K up to 120p
  • Compact Form Designed for Cage-Free Use
  • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
  • S-Cinetone/S-Log3/HLG, 14+ Stops DR
  • Phase Detection AF/Face Tracking/Eye AF
  • Standard ISO 100-32000 | Dual Base ISO
  • Dual CFexpress Type A/SDXC Card Slots
  • User LUTs & Timecode Sync Support
  • Sony FX30 Digital Cinema Camera
  • Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
  • Sony AC Adapter
  • Sony ALC-B1EM Body Cap for E-Mount Cameras
  • Sony Multi Interface Shoe Cap
  • USB-A to USB-C Cable (USB 3.2)
  • Limited 1-Year Manufacturer Warranty

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